Kenyan filmmaker Likarion Wainaina will premiere his new psychological thriller, Anam’s Wake, at Prestige Cinema on 31 July 2026, with additional screenings scheduled from 1–2 August 2026, according to a press release dated 24 June 2026.

The film is written and directed by Wainaina and produced by Wanjiru Njoroge, with cinematography by Enos Olik, the statement said. The cast includes Marima Wanjiru (as Anam), Sam Omondi, Peter Kawa (as Mason Ebale), Vanessa Okeyo (as Amani Ebale), Ruth Apondi (as Aunt Kavata), Pras Jadi (as Kwame Ebale), Gathoni Mutua (as Zuri Ebale) and Brenda Ngeso (as Nyawira).

The release positions the film within a growing pipeline of locally made features seeking theatrical audiences in Kenya, where premium cinema venues in Nairobi have increasingly served as launch pads for domestic films alongside international titles. The planned multi-day screening window also reflects a distribution approach that relies on concentrated opening weekends to build word-of-mouth and media attention.

Anam’s Wake is set against the backdrop of African mourning rituals and traditions. The story follows Anam, described in the press release as a professional mourner trained to summon Death and negotiate the passage of souls. While she guides others through loss, she remains emotionally numb after her mother’s death 16 years earlier. The film’s plot centres on Anam’s first solo ritual at the Ebale family home, where a wake “spirals into a chilling ordeal” as family secrets surface and Anam confronts unresolved grief, according to the release.

Wainaina said the project drew from personal experiences of grief. “Anam’s Wake was born from my own journey through grief. After attending numerous burials in early 2024, I became fascinated by the way sorrow often stays hidden, only to return with overwhelming force later,” he said in the statement. He added: “This film explores that terrifying truth, that unprocessed grief waits in the shadows, ready to consume us.”

Producer Wanjiru Njoroge said she was drawn to the cultural grounding and thematic focus of the script. “Anam’s Wake is the kind of film I entered this industry to make—deeply rooted in African culture yet universal in its themes,” she said. Njoroge added that the story explores “grief, family secrets, identity and a young woman navigating the tension between tradition and her own path,” and pointed to its reliance on subtext: “What drew me to the project was its trust in silence and the emotional weight carried in what remains unsaid.”

For Kenya’s creative economy, new theatrical releases can have knock-on effects for jobs across production, post-production, marketing and exhibition, while also strengthening the case for local content investment and wider distribution partnerships. The press release also notes the film drew on “extensive cultural consultation and local knowledge,” positioning authenticity and cultural representation as a core production consideration.

Wainaina is best known for directing Supa Modo, which premiered at the 2018 Berlin International Film Festival and was selected as Kenya’s submission to the 91st Academy Awards, according to the release. The statement also describes him as co-founder of Kibanda Pictures and credits him with directing multiple Kenyan television productions.

Next milestones will likely include further details on screening times, ticketing and any wider rollout beyond the initial Prestige Cinema dates, as well as additional marketing materials such as trailers and press-kit assets referenced in the release.