The Embassy of the Czech Republic in Nairobi, working with AfricaCentric Entertainment, has launched Shanga Trails, a multi-year cultural initiative aimed at highlighting artistic and historical ties between Czechia and Kenya. The initiative was unveiled on Saturday, 22 November 2025 at The Opportunity Factory in Karen, Nairobi, according to a statement from the organisers.

The event brought together artisans, designers, media and cultural sector stakeholders for demonstrations of beadwork and storytelling on the history of Czech glass beads in Kenya and East Africa. Organisers said the programme will roll out through future exhibitions, outreach programmes, design collaborations and public installations.

Shanga Trails enters Kenya’s creative economy at a time when fashion, craft and cultural tourism are increasingly viewed as potential sources of value addition, export earnings and job creation. The initiative also links to long-standing trade and supply relationships in the bead and craft ecosystem: Raj Ushanga, described by organisers as the official distributors of Czech beads in Kenya and East Africa, partnered in the launch. The press release notes that Raj Ushanga has served as Kenya’s primary importer of Czech glass beads since 1976, dating back to the era of Czechoslovakia.

Czech Ambassador to Kenya H.E. Mrs. Nicol Adamcová said the programme is designed to run beyond a single event. “Shanga Trails was more than a single event; it marked the beginning of a multi-year journey that celebrates sustainable creativity and deepens cross-cultural exchange between Czechia and Kenya,” she said. She added: “Through this initiative, we aimed to empower artisan communities, inspire young people to explore design, and promote both cultural and environmental awareness through collaborative art projects, exhibitions, and public installations.”

Adamcová also framed the programme as a soft-power and partnership platform between the two countries. “By bringing together Czech glass artistry and Kenyan design and storytelling, Shanga Trails demonstrated the true strength of cultural diplomacy: the ability of art and creativity to transcend borders, connect people, and nurture shared values,” she said.

Organisers said the launch included partnerships with Kenyan craft and design players, including Anselm Kitengela Glass, which installed decorative pieces at the event. The programme also included performances and fashion showcases. Kenyan trumpeter Mr. Judah Onesimus, a member of Chamber Music Kenya and a graduate of the Prague Conservatory, performed live, which organisers said symbolised the exchange focus of the initiative.

On the fashion side, Sandstorm Kenya presented a new line of glass-beaded suede leather bags developed in collaboration with designer Wini Awuondo and beading communities, using Czech glass beads supplied by Preciosa Ornela, according to the press release. Studio Namnyak, led by Kenyan designer Namyak Odupoy, presented new pieces integrating beadwork.

While positioned as a cultural programme, Shanga Trails also outlines a conservation-linked fundraising component that could draw attention and resources to Kenya’s wildlife economy. Organisers said that in 2026 the initiative will collaborate with Ol Pejeta Conservancy on fundraising for the northern white rhino IVF programme. They also announced plans for Shanga Kifaru, described as a nationwide series of beaded rhino sculptures, culminating in a charity auction in September 2026 to support the same programme.

For Kenya’s creative and cultural industries, the programme points to an emerging model where artisan supply chains, design houses and international partners collaborate on product development and public-facing events. If sustained, this may create additional market routes for beadwork-based products and help formalise connections between community artisans and higher-margin design segments, though the organisers did not disclose funding levels, target revenues or projected artisan participation numbers.

Next milestones include the rollout of outreach programmes, exhibitions and collaborations referenced by the organisers, as well as the planned Ol Pejeta partnership and the September 2026 charity auction tied to the Shanga Kifaru project.

Blankets & Wine, a GoodTimes Africa production, closed its 2025 calendar with the Kenyan Summer 2025 edition held on Sunday, December 21, at Laureate Gardens, Moi International Sports Centre, Kasarani in Nairobi, according to the organisers.

The December event, staged under the theme “COME WE DANCE!” and delivered in partnership with the British Council’s UK/Kenya Season 2025, brought together “thousands of festival-goers” and featured two performance stages and an Onja Onja Market focused on Kenyan brands, the organisers said.

Blankets & Wine has grown into one of Nairobi’s established live entertainment properties, supporting a supply chain that includes event production, hospitality, brand partnerships, artist management, vendors and creative SMEs. Its continued regional and international activity also signals the increasing role of Kenyan-led cultural events in cross-border tourism and creative economy linkages across East Africa.

On the Main Stage, the lineup included Kenyan acts Shad Mziki, Bridget Blue, Elsy Wameyo, Okello Max, Ssaru, Matata and Iyanii. The organisers said the bill also featured Scorpion Kings (Kabza De Small & DJ Maphorisa), describing the performance as the duo’s first in Kenya, alongside Tanzania’s Marioo and South Africa’s Mi Casa.

The Onja Onja Stage ran from earlier in the day into the night and featured UK artist Donae’o as well as Kenyan DJs and performers including Darkfruit, Shishi, Foozak, Tina Ardor and Ms. Mika. The organisers said the stage closed with a back-to-back set from Aly Fresh, Mura and Big Nyagz.

Organisers linked the December edition to the festival’s broader international agenda in 2025. They said September 2025 marked the festival’s first UK edition, held in Bradford, which they framed as part of Blankets & Wine’s international expansion and as a continuation of collaboration with the British Council. The inclusion of Donae’o on the December lineup was described as a continuation of that partnership.

“2025 has been a defining year for us. From Bradford back to Nairobi, we’ve shown that Blankets & Wine is more than an event - it’s a living cultural platform that travels, evolves and connects people through music and joy,” said Muthoni Drummer Queen, Creative Director of Blankets & Wine, in the statement. She added: “Special thanks to the British Council’s UK/Kenya Season 2025 for supporting a fitting close to a truly transformative year for the festival, including our first-ever international edition in Bradford, UK.”

Diane Ywaya, Communications Manager at GoodTimes Africa, said the event’s programming and community support were central to its delivery. “What a powerful way to close the year. From the main stage to Onja Onja, the market and the dance floor, you reminded us why Blankets & Wine exists,” she said, thanking the community, artists and partners.

Justine Mbugua, Head of Festivals at Blankets & Wine, said operational execution remained a priority across the year’s editions. “Every edition this year reflected months of careful planning and a deep focus on service excellence. From production and hospitality to artist experience to audience flow, we are proud of the standard we delivered and the trust our community continues to place in us,” Mbugua said.

Beyond performances, organisers said the Onja Onja Market returned with a “Made in Kenya” theme, featuring Kenyan fashion, food, art, wellness and lifestyle brands. The market component is a revenue and visibility channel for local vendors, and it aligns with a broader trend in Kenya’s events industry where festivals increasingly bundle live entertainment with retail, food and experiential activations.

Looking ahead, the organisers said Blankets & Wine is entering its 17th year, positioning the 2025 close as a foundation for future editions and partnerships. Key milestones to watch will include the festival’s 2026 calendar announcements and whether it expands further into new markets following the 2025 Bradford event.