Air France will increase capacity on its Nairobi–Paris route by 12% from May 15, 2026, as part of its 2026 summer schedule, the airline said in a press release dated April 9, 2026 in Nairobi. The carrier will deploy a larger Boeing 777-200 aircraft on the route, replacing what it described as its regular Airbus A350 operation, in a move it said is aimed at strengthening connectivity between East Africa and Europe.

According to Air France, the adjustment comes as the airline expands its global summer network to “close to 170 destinations across 73 countries,” with long-haul capacity rising by 2% compared with 2025. The airline said the additional capacity is being allocated to selected cities including Nairobi, alongside Asian destinations such as Tokyo, Singapore and Bangkok, as carriers recalibrate schedules to reflect changing travel demand and disruptions affecting some Middle East routings.

The airline positioned the Nairobi–Paris service as a key long-haul link for the region, connecting Kenya to its hub at Paris Charles de Gaulle. Air France said the “approximately nine-hour flight” provides onward connections to “more than 300 destinations” via the Air France-KLM and SkyTeam networks, including routes serving North America where business and diaspora travel demand is concentrated.

“Air France’s is enhancing its capacity on the Nairobi–Paris route by introducing the Boeing 777-200 as from May 15, resulting in a 12% increase in available seats compared to its regular Boeing A350,” the airline said in the statement. It added that the changes are expected to support demand across “business, diplomatic and tourism segments.”

The announcement adds to a competitive landscape at Jomo Kenyatta International Airport (JKIA), where Kenya’s role as a regional aviation and business hub has drawn sustained interest from international airlines. Nairobi’s concentration of diplomatic missions and multinational regional headquarters supports premium travel volumes, while the country’s tourism sector depends heavily on reliable air links to Europe and connecting traffic to North America and Asia.

In the release, Air France linked its wider network adjustments to broader changes in global aviation patterns. It cited “continued instability in parts of the Middle East” as a factor forcing airlines to reconfigure routes and redeploy aircraft, with some capacity redirected toward Asia and Africa where demand “remains resilient.” For Kenya, such shifts can influence seat availability, pricing, and the stability of connections for exporters, corporate travel programmes, and inbound tourism supply chains.

The airline also outlined product and service initiatives it said are being rolled out across its fleet as competition intensifies on long-haul routes. Air France said it is expanding the rollout of its La Première first-class suites, including on African routes, and introducing free ultra-high-speed Wi-Fi across its fleet, with full deployment “targeted by the end of the year.”

From a market perspective, incremental capacity increases on the Nairobi–Europe corridor can improve scheduling options for corporates, development organisations, and conference travel while supporting onward connectivity for Kenyan firms with operations in Europe and North America. Additional seats may also help tourism operators manage peak-season demand, although the impact on fares will depend on broader supply dynamics, load factors and competitor capacity.

Air France said flight schedules for the 2026 summer season are now available through its booking channels.

Base to Billboardz (B2B) has named Muringi Matheri, Manasseh Shalom, Zawadi Mukami, Chris Barr, Peter Njuguna and Ras Amor as the six finalists for its inaugural six-month artist development programme, the organisers said on March 30 in Nairobi.

According to the press release, the programme—launched in February—is backed by Kenya Breweries Limited (KBL) through its Tusker brand, with musician Bien serving as the principal mentor. The six were selected from a shortlist of 30 following a voting process involving members of the public and industry experts during a live showcase held at the Tusker Brew House.

The organisers said the initiative is structured as an artist development platform rather than a competition, and does not include a “winner-takes-all” cash prize. Instead, the programme targets Kenyan artists who already show market traction. B2B said its eligibility benchmarks include having released an album or EP, live performance experience, at least one million career streams, and a social media audience of more than 10,000.

Christine Kariuki, Head of Mainstream Beer at KBL, said the company expects to track how the initiative supports the artists’ professional growth. “Since the launch, we have been eager to witness the six artists in action, and we look forward to tracking the impact of this initiative on their growth and development,” Kariuki said. “We want to support them every step of the way as they elevate their careers.”

Bien said the programme is designed to combine mentorship with operational structure. “I am quite optimistic about the level of talent and originality we are seeing from the artists in this programme,” Bien said. “I am excited about what lies ahead because with the right mentorship, structure, and commitment to the craft, they have the potential to grow into artists who can compete and thrive on bigger stages, both locally and globally.”

The press release identified each finalist with a track associated with their recent visibility: Muringi for Managī, Manasseh for Dark Brown Eyes, Zawadi for Jua Tua, Chris Barr for Hamu, Peter Njuguna for Delulu, and Ras Amor for Hawa Wasichana.

Over the next six months, B2B said the finalists will attend weekly workshops covering vocals, songwriting and dance/movement, alongside monthly masterclasses on the business of music, including branding, publishing, distribution, contracts, monetisation and international expansion.

For Kenya’s creative economy, the programme reflects a growing role for corporate-backed platforms in professionalising talent pipelines amid expanding consumption of local music. In the statement, B2B pointed to ongoing industry constraints that make it difficult for semi-established acts to convert audience momentum into sustainable careers, citing limited mentorship, fragmented industry structures and insufficient commercial backing.

The organisers said the programme will culminate with the six artists forming a collective and releasing a joint album, followed by a launch event. The timing and commercial arrangements for the album release were not disclosed in the statement.

Tusker has previously supported music programming including Tusker Project Fame, Nexters and Oktoberfest, according to the release, with Base to Billboardz positioned as a longer-cycle development initiative. The next milestone for B2B will be the start of the weekly workshops and masterclasses leading up to the joint album release and debut event.

ANZA MMA staged its Fight Night 007 on Thursday, 26 March 2026 at The Alchemist in Nairobi, bringing together largely Kenyan amateur mixed martial arts (MMA) fighters and featuring 10 athletes making their amateur debuts, according to a statement issued on 27 March 2026.

The organisers said the main event ended with Hassan Wasswa Muhammed of Nairobi Jiu-Jitsu Academy defeating Maina Morgan of Shadow Strikers by technical knockout (TKO) in a bantamweight bout. The co-main event, also at featherweight, saw Hamza Fahim of Mombasa Sharks submit Dickson Aomo of Diani Fight Club via rear naked choke.

The event is ANZA MMA’s second show of its 2026 season and its seventh numbered fight night. The promotion said it used the card to spotlight domestic athletes from multiple regions, including Kisii, Kakamega, Mombasa, and Diani, as well as several gyms in Nairobi.

Fight Night 007 followed ANZA MMA 006, which the organisers said had drawn fighters from Kenya, Uganda, Tanzania and the Democratic Republic of Congo. In contrast, the latest event was built around Kenyan participants, a programming choice that the organisers said reflected the growth of the local amateur MMA pipeline.

On the main card, the organisers also reported a featherweight win for Samuel Laurian of Nairobi Jiu-Jitsu Academy, who defeated Brayan Ray via verbal tap. In another bantamweight contest, Bobby Kamande of Chanuka Self-Defense earned a decision win over Lwando Matthew.

In the preliminary bouts highlighted by the organisers, Wayne Achoki beat Hashim Sefu by decision; Evans Kaburia won by third-round referee stoppage against Felix Tole; and Chris Mutea defeated Guraib Rukwaro by decision. Ray Tsuma recorded a TKO win over Josiah Aoncha, while Shadrack Otieno beat Alex Njathi by decision. In a welterweight bout, Amos Eboso won via TKO against Brazilian opponent Augusto Kohn.

The organisers said: “ANZA MMA returned for the second time this year with its seventh event on Thursday, 26 March 2026 at The Alchemist, Nairobi.” They added that “10 fighters made their amateur debut on the card.”

While the event sits in the sports and entertainment category, it also intersects with Kenya’s broader live events economy, which includes venue operators, ticketing platforms, brand sponsors, gyms, and sports content distribution. Regularly scheduled fight nights can help stabilise revenue streams for training facilities and event partners and create more structured pathways for athlete development, particularly in combat sports that have historically relied on sporadic competitions.

ANZA MMA also positioned the series as a feeder for higher-level competition, saying it aims to “develop the next generation of fighters” and “prepare them for regional and international competition.” The statement added that in 2025, “KO Fight Night by ANZA MMA” delivered what it described as Kenya’s “first-ever professionally sanctioned Mixed Martial Arts event,” bringing together professional fighters from Kenya, Uganda and Tanzania.

Going forward, the key milestones for the promotion will be scheduling additional 2026 season events and maintaining a consistent calendar that supports athlete progression from amateur to professional bouts, alongside expanding regional participation where appropriate.

Base to Billboardz (B2B) has named Muringi Matheri, Manasseh Shalom, Zawadi Mukami, Chris Barr, Peter Njuguna and Ras Amor as the six finalists for its inaugural six-month artist development programme, the organisers said on March 27 in Nairobi.

According to the press release, the programme was launched in February and is backed by Kenya Breweries Limited (KBL) through its Tusker brand, in partnership with musician Bien, who will serve as the principal mentor. The finalists were selected from a shortlist of 30 artists through voting by members of the public and industry experts during a live showcase event held at the Tusker Brew House, the organisers said.

The announcement places a spotlight on the growing role of corporate-backed programmes in Kenya’s creative economy, where music is increasingly viewed as both a cultural product and a commercial sector linked to streaming revenues, live events, brand partnerships and intellectual property earnings. For Kenya’s beverage and consumer brands, such platforms can also serve as marketing channels, while for artists they can offer structured access to skills, networks and industry knowledge that are often fragmented.

Christine Kariuki, Head of Mainstream Beer at KBL, said the company plans to follow the artists’ progress through the programme. “Since the launch, we have been eager to witness the six artists in action, and we look forward to tracking the impact of this initiative on their growth and development,” Kariuki said. “We want to support them every step of the way as they elevate their careers.”

The press release identified each finalist with a song associated with their recent visibility: Muringi Matheri for Managī, Manasseh Shalom for Dark Brown Eyes, Zawadi Mukami for Jua Tua, Chris Barr for Hamu, Peter Njuguna for Delulu, and Ras Amor for Hawa Wasichana.

B2B said it is structured as a career accelerator rather than a music competition, and does not offer a cash prize. The organisers said eligibility focused on semi-established artists who had already released bodies of work such as an album or EP, had live performance experience, had at least one million career streams, and an online audience of more than 10,000.

Over the next six months, the finalists will participate in weekly workshops covering vocals, songwriting and movement, as well as monthly masterclasses focused on the business of music, including branding, publishing, distribution, contracts, monetisation and international expansion, according to the press release. The programme will involve Bien and five additional coaches.

Bien said the cohort reflects the breadth of Kenya’s music output and argued that structured support can help artists sustain careers. “I am quite optimistic about the level of talent and originality we are seeing from the artists in this programme,” Bien said. “Each of them brings a unique sound and perspective that reflects the richness of Kenya’s music scene.”

For Kenya’s music industry, programmes that prioritise publishing, contracts and distribution can influence how emerging acts approach rights ownership and revenue streams in an era dominated by digital platforms. Industry stakeholders have repeatedly pointed to gaps in mentorship and commercial backing as barriers that prevent artists from converting short-term attention into sustainable income—an issue B2B says it intends to address.

The organisers said the programme will culminate in the six artists forming a new collective and releasing a joint album, which will be presented at a launch event. Key milestones to watch will include the rollout timeline for the workshops and masterclasses, details of the additional coaches, and the release schedule and distribution plan for the joint album.

AHI Carrier, a joint venture of Carrier Global Corporation, has opened its first dealer-based Carrier and Toshiba HVAC showroom in Nairobi, partnering with North Star Cooling Systems, as it seeks to expand its presence in Kenya and the wider East African market.

The showroom was inaugurated on February 16, 2026, by Afaf Kontar, Chief Executive Officer of AHI Carrier, together with Kishore Reddy, Managing Director of North Star Cooling Systems, according to a statement issued by the companies.

The opening adds a physical customer-facing facility to support sales and technical engagement around heating, ventilation and air conditioning (HVAC) systems at a time when Kenya’s construction pipeline continues to be driven by urbanisation, commercial developments and new requirements around energy performance in buildings.

AHI Carrier said the facility is designed as “a fully integrated HVAC experience and reference center,” targeting developers, consultants, engineers and contractors who want to evaluate system capabilities and suitability for local operating conditions.

In its statement, the company linked the launch to growing demand for “reliable, energy-efficient cooling solutions” across commercial, residential, healthcare and data-driven developments. While the company did not disclose the value of the investment, the move signals a push to deepen on-the-ground engagement in Kenya’s built environment and mechanical services supply chain.

Beyond showcasing equipment, the companies said the showroom will also be used for technical collaboration, certified training and project advisory services. AHI Carrier said the intention is to build local technical capacity and support professional development as part of efforts to “raise industry standards and strengthen the regional HVAC ecosystem.”

During the inauguration, Ms. Afaf Kontar said Kenya is central to the company’s East Africa strategy. “Kenya remains central to AHI Carrier’s East Africa strategy,” she said, adding that the showroom reflects “a clear commitment to long-term partnership and local market development.” She said the facility would enable customers to experience “real-time operational performance” and better understand the “measurable value of advanced HVAC technologies.”

Mr. Kishore Reddy said the showroom is intended to support North Star Cooling Systems’ growth ambitions in the region. He described the opening as “a milestone in North Star Cooling Systems’ regional growth journey,” and said the facility offers a collaborative environment for customers and consultants to engage directly with “high-efficiency solutions aligned with evolving market expectations.”

The launch comes as HVAC demand in Kenya is influenced by several parallel trends: expansion of modern office and retail space, growth in hospitals and specialised healthcare facilities, increasing installation of mission-critical cooling for data and digital infrastructure, and tighter scrutiny of operating costs in buildings due to electricity prices. In this context, dealer-based showrooms can help shorten decision cycles by allowing project teams to review specifications, compare options and coordinate after-sales support early in the procurement process.

For Kenya’s HVAC market, the move may intensify competition among major equipment brands and distributors, especially in commercial and institutional segments where technical compliance, installation quality and maintenance capability can be decisive. The emphasis on training and advisory services could also raise expectations around certification and service standards among contractors and technicians.

AHI Carrier and North Star Cooling Systems said the partnership aims to make HVAC technologies more accessible in Kenya and East Africa, while responding to infrastructure demand. The companies did not provide a timeline for additional openings, but described the Nairobi facility as part of a regional expansion strategy and a platform for continued local market development.

MultiChoice Kenya has kicked off its ‘All I Want Hii Krisi’ festive season campaign with a community activation at Nyayo Estate’s Malaika Park in Nairobi, the company said in a media brief dated Oct. 24. The activation marked the start of a month-long nationwide rollout aimed at driving uptake of DStv offers and in-person fan engagement across major towns.

According to MultiChoice, residents at the Nyayo Estate event were given a hands-on DStv experience, access to branded merchandise and giveaways, and a range of discounts under the festive campaign. A key promotional price point highlighted by the company was a reduction in the retail price of the DStv Zapper decoder to KES 850, from KES 1,199.

The activation also featured appearances by cast members from DStv shows, including Lulu, Lazizi, Njoro wa Uba, and Qware. MultiChoice said attendees interacted with actors and creators during activities designed to bring audiences closer to content beyond the screen.

The campaign comes as pay-TV and streaming providers in Kenya compete for consumer spending amid price sensitivity and increased choice in entertainment platforms. Decoder and subscription promotions remain a common strategy in the sector as operators seek to retain existing customers and attract new households, particularly during high-viewership periods such as the year-end festive season.

In its statement, MultiChoice said the Nyayo Estate activation was designed as “a vibrant celebration of storytelling, community, and the power of shared entertainment.” The company added that residents “were fully immersed in the DStv experience, enjoying exclusive access to premium merchandise, exciting giveaways, and… festive discounts under the ‘ALL I Want Hii Krisi’ campaign.”

MultiChoice also pointed to the decoder discount as a central part of the campaign, saying, “Many took advantage of the standout offer of the season which is the DStv Zapper decoder now retailing at just KES 850, down from KES 1,199.”

For Kenya’s broadcast and content market, the rollout highlights how entertainment brands are increasingly using community activations and experiential marketing to support sales and strengthen audience loyalty. Such events can also help content producers and show brands grow viewership by turning TV franchises into live, local touchpoints—an approach that has become more visible across East Africa’s creative economy.

MultiChoice said the campaign will continue through the month with activations in “different regions and major towns across the country,” signalling further public events tied to DStv offers and talent appearances. The company did not provide a detailed schedule of towns or dates in the media brief.

ANZA MMA staged what it said was Kenya’s first professionally sanctioned mixed martial arts (MMA) event on Friday, December 5, 2025, at Broadwalk Mall in Nairobi, bringing together professional fighters from Kenya, Uganda and Tanzania in a card where every bout ended in a stoppage.

In a press release dated December 8, 2025, the promoter said the event, branded KO Fight Night by ANZA MMA, was sold out and was also broadcast live on YouTube. ANZA MMA added that the broadcast featured commentary from Julio DeSouza, who it described as a Brazilian Jiu-Jitsu black belt and co-founder of Nairobi Jiu-Jitsu Academy, and was hosted by Alex Holi.

The event signals a push to formalise and monetise combat sports in Kenya through professionally sanctioned formats, broadcast distribution and event production, as local promoters test whether MMA can attract consistent gate revenues and sponsorship in a market where boxing and football have traditionally dominated attention.

ANZA MMA said the Nairobi card drew entertainment acts including Savara, Octopizzo and Boutross, with live performances between fights. The promoter positioned the event as part of its broader effort to build an MMA pipeline in the region, following years focused on developing amateur competition.

On the sporting side, ANZA MMA reported first-round wins on the main card for Kenyan fighters Ouhsummer Ali Abad, George Itumo and Kelvin Odongo. Odongo received what the promoter termed the “KO of the Night” bonus, while Tanzanian fighter Dauda Rajabu was awarded “Submission of the Night,” according to the statement.

“Tonight was a historic moment not only for ANZA MMA but for Kenya and East African combat sports,” Peng Chen, founder of ANZA MMA, said in the release. “The athletes delivered world-class performances, the fans brought unforgettable energy and the entire country proved it is ready for elite professional MMA.”

Chen said the promotion plans to expand its events calendar next year. “Next year, fans can expect to see more ANZA MMA amateur and pro fights in Nairobi and different regions in the country,” he said.

ANZA MMA also said the event attracted interest from international MMA organisations “including UFC PFL and AKO,” adding that Daniel Kijo, identified as Director of Marketing & Operations at PFL Africa, attended “as a show of PFL Africa’s interest in ANZA MMA and developing local talent.” The statement did not disclose any commercial agreements, rights deals or investment commitments linked to the attendance.

Main-card results listed by the promoter were: Ouhsummer Ali Abad (Kenya) defeated Stephen Rackara (Uganda) by Round 1 TKO (Ground & Pound) at featherweight; George Itumo (Kenya) defeated Joel Ssemanda (Uganda) by Round 1 TKO (Ground & Pound) at bantamweight; Kelvin Odongo (Kenya) defeated Jonani Tugume (Uganda) by Round 1 TKO (Strikes) at heavyweight; and Dauda Rajabu (Tanzania) defeated Farouk Ogwal (Uganda) by Round 1 submission (Triangle Choke) at flyweight.

Preliminary results listed were: Rashidi Mlegelo (Tanzania) defeated Justin Okot (Uganda) by Round 1 submission (Rear Naked Choke) at featherweight; Annet Rose Kiiza (Uganda) defeated Rael Ashubwe (Kenya) by Round 2 TKO (Ground & Pound) at flyweight; and Moses Musisi (Uganda) defeated Joakim Ikalakala (Kenya) by Round 2 submission (“Mother’s Milk”) at welterweight.

For Kenya’s sports business ecosystem, the key test will be whether professionally sanctioned MMA can sustain repeat events through ticketing, sponsorship and media distribution—particularly as promoters seek to build reliable athlete pathways, coaching infrastructure and regulatory frameworks. ANZA MMA said KO Fight Night was supported by Kenya Originals, Açaí Oasis, You C.1000 Drinks, MMA Gold and HustleSasa.

ANZA MMA said it will stage more amateur and professional fight nights in 2026, expanding beyond Nairobi to other regions, as it works to grow the sport’s national footprint.

Nigerian artist Mr Eazi has released a new single and music video titled “Dance Pon Me”, according to a press release dated December 15, 2025. The release arrives ahead of a dancehall-inspired mixtape that Mr Eazi plans to put out on Mixpak, the statement said.

The track follows “Sekkle & Bop”, Mr Eazi’s 2021 collaboration featuring Popcaan, and is positioned by his team as the latest preview of the upcoming project. The press release states that “Dance Pon Me” is available for streaming on digital platforms alongside an official video.

The release adds to a growing pipeline of Africa-origin music content timed to year-end entertainment demand, commonly referred to in West and East Africa as “Detty December”. For Kenya’s music and nightlife economy—covering clubs, live events, DJs, brand activations and streaming consumption—high-rotation singles in December typically influence bookings and playlists across Nairobi’s entertainment circuit, while also shaping cross-border collaborations and touring patterns.

According to the statement, “Dance Pon Me” was produced by Dre Skull and Cadenza. The release notes that Dre Skull has worked with Popcaan, Burna Boy and Vybz Kartel, while Cadenza has credits with Jorja Smith, Beyoncé and Doja Cat.

Songwriting credits listed in the press release include Oliver Rodigan, Andrew Hershey, Marlon Roudette and Oluwatosin Oluwole Ajibade.

The press release also frames the track as reflecting a wider Afro-diaspora sound and audience, explicitly referencing cities including Lagos, Accra, Nairobi and London as part of its intended cultural reach.

Mr Eazi is described in the statement as a Grammy Award–winning artist. The release cites his past catalogue—including tracks such as “Skin Tight” and “Leg Over”—and notes that he has performed at Coachella. It also references his involvement in nightlife concepts, including Choplife Soundsystem and Detty Rave.

In 2025, Mr Eazi released an EP titled “MAISON ROUGE”, which the statement describes as a return to his Banku Music roots.

While the press release does not disclose commercial terms, distribution partners, streaming figures or projected release dates for the Mixpak project, the announcement underscores the continuing competition for audience attention during the December peak season, when music releases often translate into demand for club play, event programming and short-form video content.

For Kenya’s market, such releases can have spillover effects across DJ setlists, streaming playlists and event line-ups, particularly as Nairobi remains a regular stop for regional touring and brand-sponsored nightlife events. The explicit mention of Nairobi in the press statement indicates continued interest in East African listenership as part of wider pan-African and diaspora consumption patterns.

Anyiko PR said media inquiries for East Africa should be directed to press@anyiko-pr.com. Mr Eazi’s team indicated that the single and official video are now available on streaming platforms, with the broader mixtape planned for release on Mixpak.